NICK CAVE AND THE BAD SEEDS: SKELETON TREE REVIEW
So basically this album is every bit as harrowing and melancholy as you would expect it to be. As the tremendous singer-songwriter-storyteller that he is, Nick Cave on his new album Skeleton Tree uses his plethora of sonic tools to paint a sorrowful picture with deep running concerns in loss and grief.
Having tragically lost his son little over a year ago, with only part of this album in creation at the time, this album displays the shattering effect and resonations such an event has had. One need look no further than the song “I Need You”, in which the emotion in Cage’s voice is near palpable, and definitely heartrending.
Focusing more on the instrumentation, everything feels expansive and yet somewhat vacant. With synths eerily sound-scaping the terrain onto which Cave often seems to simply wander atop, with delicate and often surreal worlds being wounded into its surface.
With death being so constantly close in Nick Cave’s discography, its rare to find it so ever-present without it being used as a dramatic or metaphoric device so often employed in his stories.
An experience not to be delved into lightly, and with this incredible new album, this year is shaping up to be one in which flirtations with death are abandoned for sheer confrontation.
This film hits you with its immediacy and urgency so forcefully that at times my own mind was rearing away in self-preservation.
Walking away, I could hardly believe what I’d seen: a hip hop violinist, with World music running through each beat of heart and songs, dancing freely with strangers under the night sky.
What’s your favourite scary movie? Probably not Scream 7.
How is it that the most cinematic moment I’ve experienced this year came from a stage play?
A show to savour, and one I wish I could see again soon.
Adam is a wonderful performer, whose love for his Dragon interest is carried across in excitement and eagerness.
On the third date of Thornhill’s completely sold-out Bodies Australian tour, the band packed out Perth’s Astor Theatre on a Tuesday night.
Haribo Kimchi is a prismatic, one-of-a-kind experience that tells a deeply personal story many immigrants will recognise, while offering others an intimate window into what it means to carry home within you.
Improv RPG is excellent improv theatre, delivered by highly capable performers who fully understand the trappings of the genres they are working within, and who bounce off each other like old friends, spinning outlandish choices into comedic or horrific, gold.
Sit in the front row, if you can get in early enough, and you’ll be amazed at how well these performers can flip, tumble and float around just inches from your face.




