Kinetic, catchy, and cunning; the King of Pop lives on!
All in Theatre Nation
INTERVIEW: Buckle up for Blue Room Theatre's theme-park spy thriller "Ride or Die"
Ahead of their debut season at the Blue Room Theatre from June 9th - 27th, we spoke to writer-director duo Harper Nguyen and Parker Horne, about the show’s delightfully zany premise and immersive design.
REVIEW: "LA TRAVIATA" IS AN OPERA TOUR-DE-FORCE
A technical masterclass, an emotional masterpiece: La Traviata is an operatic tour-de-force.
PERTH FESTIVAL REVIEW: "Haribo Kimchi" serves up a sensory and poignant exploration of migration, identity, and home
Haribo Kimchi is a prismatic, one-of-a-kind experience that tells a deeply personal story many immigrants will recognise, while offering others an intimate window into what it means to carry home within you.
FRINGE REVIEW: IMPROV RPG rolls a natural twenty in the double-finale for Dungeons & Dragons and Call of Cthulhu
Improv RPG is excellent improv theatre, delivered by highly capable performers who fully understand the trappings of the genres they are working within, and who bounce off each other like old friends, spinning outlandish choices into comedic or horrific, gold.
REVIEW: "CATS the Musical" unleashes electric, nostalgic Jellicle chaos in Boorloo Perth
The beauty of CATS is not in layered storytelling, but in its unflinching projection of pure vibes. And boy, does this Australian production deliver.
Inside Urinetown: Director Andrew Baker on bringing Perth its most absurd musical yet
“The audience is going to have a ball.”
INTERVIEW: Choreographer and mentor Tyrone Earl Lraé Robinson on "600 SECONDS: MOVES"
“600 Seconds is like a flight of amuse-bouches; sample-sized bites of dance and theatre works that give you a glimpse into the creative minds of Perth artists.”
REVIEW: "Beauty and the Beast" musical is a spellbinding, spectacular adaptation of a Disney classic
Beauty and the Beast The Musical doesn’t just avoid deviating from the heart of the film; it crystallises the themes, encasing them like the enchanted rose, and makes the revisit feel worthwhile
THEATRE REVIEW: “Never Have I Ever” serves up a sizzling feast of politics, identity, and ego
Lighting, pyrotechnics, and early 2000s pop music are playfully woven together to immerse us in a theatrical montage of a drunken night out, where the tea is spilt and old resentments are finally laid bare.
THEATRE REVIEW: "Blue" wades through grief with heart and ingenuity
How do you make sense of a life pummeled by love and loss? Blue, the latest production by Black Swan State Theatre, asks us to plunge, heart-first, into this question.
FRINGE REVIEW: "Black Girl Rising" is a powerful one-woman performance that resonates deeply
Linnea’s delivery is compelling and commanding.
THEATRE REVIEW: “Prima Facie” is a gripping and harrowing one-actor play
Prima Facie is compelling, chilling viewing that deserves to reach further into the systems it represents to make meaningful change.