The beauty of CATS is not in layered storytelling, but in its unflinching projection of pure vibes. And boy, does this Australian production deliver.
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Inside Urinetown: Director Andrew Baker on bringing Perth its most absurd musical yet
“The audience is going to have a ball.”
INTERVIEW: Choreographer and mentor Tyrone Earl Lraé Robinson on "600 SECONDS: MOVES"
“600 Seconds is like a flight of amuse-bouches; sample-sized bites of dance and theatre works that give you a glimpse into the creative minds of Perth artists.”
REVIEW: "Beauty and the Beast" musical is a spellbinding, spectacular adaptation of a Disney classic
Beauty and the Beast The Musical doesn’t just avoid deviating from the heart of the film; it crystallises the themes, encasing them like the enchanted rose, and makes the revisit feel worthwhile
THEATRE REVIEW: “Never Have I Ever” serves up a sizzling feast of politics, identity, and ego
Lighting, pyrotechnics, and early 2000s pop music are playfully woven together to immerse us in a theatrical montage of a drunken night out, where the tea is spilt and old resentments are finally laid bare.
THEATRE REVIEW: "Blue" wades through grief with heart and ingenuity
How do you make sense of a life pummeled by love and loss? Blue, the latest production by Black Swan State Theatre, asks us to plunge, heart-first, into this question.
FRINGE REVIEW: "Black Girl Rising" is a powerful one-woman performance that resonates deeply
Linnea’s delivery is compelling and commanding.
THEATRE REVIEW: “Prima Facie” is a gripping and harrowing one-actor play
Prima Facie is compelling, chilling viewing that deserves to reach further into the systems it represents to make meaningful change.