They are playing this Thursday at Fly by Night in Freo; undoubtedly a band you will be able to tell your kids you saw “before they were cool”.
They are playing this Thursday at Fly by Night in Freo; undoubtedly a band you will be able to tell your kids you saw “before they were cool”.
It’s the beginning of the New Year, and you know what that means for us Down Underners (yeah, you heard me. It’ll catch on, mark my words): It’s going to be hot. Like, sweltering, dead-bats-raining hot. Thankfully, it also means one other thing: Movies.
Perth’s finest prog-rock technicians will be playing at one of the most amazing if not surreal locations on the 23rd day of this sweltering month.
Abandoned buildings don’t need to be cool. We recently ventured down to the Elizabethan village in Armadale. A once bustling tourist attraction, it is now a fenced residential estate consisting of houses of the Elizabethan fashion, to some extent.
I’ve often thought that forcing people to travel, organise and commit to see music would mean only the true music lovers (and those rare apt dickheads) would bother to make it out; Southbound Festival 2014 reaffirmed this belief.
"What are you doing here?" I asked him. - "I'm waiting, I'm waiting ... I don't know what I'm waiting for. But I'm waiting all right, perhaps to go back home, I don't know." I could see from his expression that he was profoundly sad: "If you'd like to, you could come and talk on the radio, I could set you up with a talkshow." - "It's no use", he answered.
It was an intense evening, as I anticipated what would happen at Slanted & Enchanted. As I walked in, the regular local acts had already performed, and on the main stage, the headliners’ roadies were hustling around like little rats.
While I can imagine that it would make the perfect audio-visual companion to its best-selling source material, Night Train to Lisbon struggles to stand on its own.
The Love Junkies are a Perth (Thornlie methinks?) based post-grunge three piece who hit hard, and rock equally as hard as some kind of Children Collide x Queens Of The Stone Age x Scratch Acid (melody, groove and freak outs respectively) hybrid sexy dangerous animal.
Parking Lots is an important album, at least as far as Perth music is concerned, precisely because it inspires thought bubbles in those listening to it. Listening to Ermine Coat's second LP, the recently released Parking Lots, may be to feel a mental illness that results in a physical illness.
The Leederville Food Safari is a truly fantastic experience – just make sure you eat a light lunch!
Next time you worry about politics and the fact that voters aren't armed with the kind of information that you might desire them to be, take solace in the fact that they are probably the rational ones.
We roamed through the dark back alleyways of the foreign cities foreign only to us our hearts in our throats from a drunken left turn that left the night air stale and sour...
Are you a fan of rooftops? Do you dig movies? Do you have friends?
Keith Buckley, always the energetic frontman, encouraged pit wildness, including a circlepit the size of Amps itself (which one unlucky stage diver jumped into, rather stupidly).
It is hard for me to find fault with this film, with everything coming together quite perfectly. The pacing never feels stale, even when the jokes require the film to move slower, and every joke hits the mark brilliantly
We were lucky enough to check out the sold out Elmar’s In The Valley venue for some food, music and most importantly alcoholic beverages before heading over to Belvoir Amphitheatre for a great mini-festival.
I was part of a volunteering team that was to work for Awareness Cambodia International, a Perth-run organization that aims to rebuild Cambodia and its people.
Honey tells an imaginatively provocative and compelling story that cleverly subverts traditional plot conventions - at least, for the majority of its run time. In the hands of a lesser director, the film could run the risk of descending into tear-jerking melodrama due to its sensitive subject matter, but Golino’s meticulous, detached direction prevents the film from going there.
Please permit me to introduce myself, my name is Sabrina Kipkalya Kones, 24yrs old female (single) and i'm from Kenya in East Africa. I appeal to you to exercise a little patience and read through my letter because i feel quite safe dealing with you in person...