It's Nature vs Man in Blue Room Theatre's opening psychological-eco-drama, "The Trembling Giant"
From emerging Perth theatre company Those Who Love You, the fine folks who brought us The Secret Garden Project, comes an exciting season-opener for the Blue Room Theatre: "The Trembling Giant". Written and directed by local talent Monty Sallur, The Trembling Giant is an emotional cautionary fable about humanity's relationship with nature.

Here's the synopsis:
"Gum, banksia, eucalyptus, golden wattle. What kind of world is it where these trees don’t exist? Maybe ours.
In a world where natural resources are coveted, information is currency and the air is poisonous, how do you create change?
For Margot and Flint, change starts with a seed. A seed that brings hope, a seed that brings life, a seed that brings a tree. But it’s not easy caring for the worlds most valued resource; the stakes are your life and not everyone is ready to give theirs away so easily."
"The Trembling Giant" opens on 9 August 2016 at The Blue Room Theatre.
A free Q&A will be hosted after the performance on Wednesday 17 August for ticketholders. Make sure you don't miss out!
CLICK HERE for ticket details.
Beauty and the Beast The Musical doesn’t just avoid deviating from the heart of the film; it crystallises the themes, encasing them like the enchanted rose, and makes the revisit feel worthwhile
What is love? Baby, don’t hurt me.
If you can leave your sanity behind and drink the Tim Robinson Kool-Aid, Friendship will be one of the funniest movies you’ll see this year.
Through a blend of music, dance, and spoken word, Child is a performance piece that seeks to reignite within us the joy, curiosity, and freedom that often gets eroded by the demands of life.
And at the centre of it is a marvellous performance by David Corenswet, who infuses this Man of Steel with a beguiling softness and an emotional intelligence.
The film feels earnest, and the performances are sincere enough to carry the runtime.
F1’s is an immersive, muscular melodrama about an aging race car driver who’s still got it. Well, he’s got his problems too.
Lighting, pyrotechnics, and early 2000s pop music are playfully woven together to immerse us in a theatrical montage of a drunken night out, where the tea is spilt and old resentments are finally laid bare.
Tightly scripted and well-paced, this is a consistent romp which knows when to circle…and when to bite.