I’m no comedian (unless I’m six beers in) but Chris Martin: Claw Machine is a harmlessly delightful stand-up show NOT by the Coldplay front-man.
FRINGE REVIEW: Tony Galati the Musical is spud-tacular
Written by Dan Debuf, the original musical is a beautiful ode to the Western Australian urban legend himself.
FRINGE REVIEW: Lisa Woodbrook’s “It’s Not Me, It’s Definitely You” is exceptional in every way
I still can’t decide whether I preferred her musical or comedic performance – both were done with absolute confidence, refined talent and the perfect level of humour, with this stellar combination never faltering for even a second.
LIVE SNAPSHOTS: Bastille @ Metropolis Fremantle
Bastille at Metropolis Fremantle shot by Reuben Black.
INTERVIEW: Athena Joy releases first single since debut EP Blue
Gold Coast indie-pop songwriter Athena Joy just released a new single titled ‘Just Like You’ which speaks on the topic of overcoming adversity. This is her first release since her debut EP Blue which earned her a Queensland Music Award nomination for the track ‘Blue’. We talked to her about her songwriting process, musical influences, and much more.
FILM REVIEW: "A Hidden Life" is beautiful, frustrating, and quintessentially Terrence Malick
A Hidden Life sees Malick in sublime form, capturing a time of the second world war rarely seen, and portraying a desperate and achingly beautiful love story that transcends any political or social bounds. If not for the length, this film would be perfect, but alas.
FRINGE REVIEW: Bernie Dieter’s "Little Death Club" is dangerous, devilish debauchery
There’s a reason why Bernie Dieter is known as “the mistress of mayhem” and “queen of Fringe”. Little Death Club is what I’d describe as the love child of a mad genius and wicked seductress – fierce, ravenous and excited to push the boundaries of traditional cabaret.
FRINGE REVIEW: Rock out with Ragnarøkkr
St John Cowcher has a reputation as one of Perth's most artistically ambitious performers. Ragnarokk is the Norse prediction for the end of times.
FRINGE REVIEW: "The Lion Never Sleeps" celebrates queer history
This is a show about community and crisis. It invites us to bear witness to our queer elders and offers a blueprint for how to combat the crisis of the future – with love, anger and dancing.
FRINGE REVIEW: "Hot Sauce Burlesque" is Hot... But lacks variety and finesse
I'd describe Hot Sauce Burlesque as a cheeky intro for those who haven't attended burlesque before.
FRINGE REVIEW: "360 Allstars" is daring, urban circus
Their relaxed yet supercharged performance had the whole crowd going the whole time, with every new stunt executed with a humorous, laid back grin.
LIVE REVIEW: LAUREN DAIGLE @ ASTOR THEATRE
I’ve been a fan of Lauren Daigle for a while now, so when I heard she was coming to Perth I was more than happy to attend her concert for her Look Up Child world tour. I sure wasn’t expecting what I got.
FRINGE REVIEW: YUMMY UNLEASHED is an absolute must-see
Without giving too much away, YUMMY UNLEASHED truly turns cabaret on its head and is the must-see show this season.
FRINGE REVIEW: Romance Isn't Dead in "Post-Mortem"
Post-Mortem is lovely - a moving exploration of a romance that was meant to be, without shying away from some very real issues.
FILM REVIEW: "In My Blood It Runs" is a powerful love letter to unheard Indigenous voices
Once this film is over, people will see the plight of Indigenous Australians in a different light.
FRINGE REVIEW: "Quokka Apocalypse" is fun, fantastic and slightly ferocious
Fun, fantastic and slightly ferocious, Quokka Apocalypse was a creative and not-so-subtle poke at the contemporary life we live in (not) the most isolated city in the world, Perth. And also, there were bubbles.
FRINGE REVIEW: "6056" is tasteless bogan humour... just the way we like it
Not for the easily offended, Cameron McLaren's 6056 is tasteless bogan humour... Just the way we like it. The constant self deprecating jokes centred around the lower echelon of society were truly nothing but relatable.
FRINGE REVIEW: "Kafka's Ape" is intensely moving theatre
The show I’m raving about this year is Kafkas’ Ape.
LIVE REVIEW: Mac DeMarco, Pond & Cold Meat @ Red Hill Auditorium
It’s hard not to fall in love with DeMarco’s careless yet intense live presence.