Winchester has a solid base story, however, it is unable to build on this and provide something satisfying for the audience.
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Winchester has a solid base story, however, it is unable to build on this and provide something satisfying for the audience.
It's a sharp reflection of a 1920s French post-war society that rejects the macabre but celebrates its gains, while turning its men into corporate monsters.
With Lady Bird, Greta Gerwig takes us on a roller coaster ride of grimacing laughter, sexual discomfort, and the familiar sting of growing pains.
Lean on Pete is a movie about a young boy who, already on the back foot in life, slowly heads towards the very margins of American society.
Make no mistake, Black Panther is consistently entertaining, even occasionally channeling the joie de vivre of an old Bond movie.
The romantic art-horror film Thelma enchants and ensnares, much like its unusual genre mashup suggests.
In our first Spoiler Nation episode 0f 2018, we break down nominees in this year's major Oscar categories and give you a brief spoiler-free review of Greta Gerwig's directorial debut, "Lady Bird".
The Commuter is another addition to the delightful sub-genre of the blockbuster experience carved out by Liam Neeson, the “Taken, But…” genre.
Guillermo del Toro has an affinity for monsters. This affinity has manifested as honest-to-goodness love in his latest film, The Shape of Water.
2017 was an incredible year for horror.
The Post is a brisk, empathetic tour of old-school, "get your hands dirty" journalism.
The film's cast and screenplay are strong enough to hold the audience’s attention and focus on what is essentially a shaggy dog story, without the need for added fuss or glamour.
Rage is the engine which drives Three Billboards outside Ebbing, Missouri's narrative
In this episode of the Spoiler Nation podcast, we attempt to make sense of the divisive reaction to Star Wars: The Last Jedi.
Unlike many sports dramas movies, Borg McEnroe doesn't manoeuvre world-class tennis pros Bjorn (Sverrir Gudnason) and John (Shia LeBeouf) into a conflict in which something more than a Wimbledon victory - love, honour, some other cliched thing – is on the line.
Some of the themes in Coco were surprisingly adult: death, betrayal, and abandonment. This resulted in the audience’s investment in the characters, creating an enjoyable film for all ages.
We sent a Pitch Perfect superfan to cover the final chapter of the hit musical-comedy franchise.
Star Wars: The Last Jedi picks up immediately from where its predecessor The Force Awakens left off, but its attitude and intent could hardly be more different.
The earnestness of Paddington 2 matches its inventiveness too: there's never, ever the cynical, lazy vibe of “Whatever, this is good enough for kids”. If you picture a Wes Anderson film with the deliberate, hilarious cruelty scrubbed away until it's a wholesome sheen, you're nearly there.
The Disaster Artist, based off the book of the same name, actually succeeds as a straightforward tribute to the imperfect, messy process of creativity and the imperfect, messy process of fraternal love.