We checked out the new 50 Shades of Grey movie, which is better than the first, but still not great.
All in Screen Nation
We checked out the new 50 Shades of Grey movie, which is better than the first, but still not great.
For the Festival’s 28th season, Artistic Director, Philippe Platel, who is celebrating his first year at the helm, has sourced a bewitching selection of 43 features and 2 documentaries that celebrates the ‘crème de la crème’ of contemporary French cinema by blending the work of established filmmakers with that of France’s cinematic luminaries of tomorrow.
Ben Affleck's fourth writer/directorial effort Live By Night is his first major misstep as a writer/director. Affleck directs with such a stultifying hand that there's no blood, no oxygen to the film; no suggestion that the world is so much bigger than what we're seeing on the screen.
From Oscar nominated emotional dramas, to Valentines day Blockbusters, our movies pick for February has it all!
Despite its inherent flaws, Split is a well-executed psychological thriller that signals the return of M Night Shyamalan as a unique Hollywood storyteller.
To some degree or another, we are all like Moonlight's taciturn protagonist, in that we're wearing a veil of loneliness to shield ourselves from the world's cruelties. Moonlight pierces that veil.
Even if Manchester by the Sea were not so technically accomplished and beautifully acted, it would still stand as a unique work, simply because you get the ineffable sense that the director has experienced himself what he's depicting on screen – it's as personal as a handwritten poem to a loved one.
Pablo Lorraine's take on the JFK family is a beautiful piece of cinema that does justice to one of the great public tragedies of the 21st century.
From Oscar-hopefuls to video game blockbuster, in the first of our monthly movie guide, we preview the films that are showing in theatres this January.
A nostalgic but exuberant breath into the dying genre of musicals. La La Land is one to take your parents, grandparents, aunts and uncles to.
This time around, director Jim Jarmusch has stayed to what he knows in Paterson, a rather brilliant film about the mundane.
2016 has been a great year for television. We made a supercut to celebrate our favourite moments on screen.
Rosalie Blum serenades its audience with a lovely tale about lost souls finding one another.
The Rehearsal allows its audience to view a haunting and raw side of adolescence that isn’t glamorised by the usual beautiful teenagers that Hollywood so often served.
Gifting its audience with a nuanced portrayal of a hypothetical ‘first contact’, Denis Villeneuve’s Arrival breathes life into a seemingly familiar tale.
Pacing, tone, characters and actors aside, what really makes Hacksaw Ridge insufferable is how laughably outdated it is. It’s 2016, are we seriously still making movies that demonise the Japanese?
Just in time for Halloween, our resident horror junkie gets his freak on and spills on his favourite horror films of all time.
In the first episode of the Spoiler Nation podcast, we talk about our initial reactions to the Doctor Strange, and give a brief, spoiler-free review in the beginning, before diving deep into spoiler territory.
"Hell or High Water" is the latest screenwriting effort from Sicario writer Taylor Sheridan, and it goes a long way to paint a rich picture of the film’s setting.
With a soundtrack ranging from Mazzy Star to Rihanna, Andrea Arnold’s phenomenal work American Honey captures teenage movement like no other.