Fun, fantastic and slightly ferocious, Quokka Apocalypse was a creative and not-so-subtle poke at the contemporary life we live in (not) the most isolated city in the world, Perth. And also, there were bubbles.
All tagged fringe world
Fun, fantastic and slightly ferocious, Quokka Apocalypse was a creative and not-so-subtle poke at the contemporary life we live in (not) the most isolated city in the world, Perth. And also, there were bubbles.
Not for the easily offended, Cameron McLaren's 6056 is tasteless bogan humour... Just the way we like it. The constant self deprecating jokes centred around the lower echelon of society were truly nothing but relatable.
With a collection of hyper-talented misfits, miscreants and fantastic freaks, Little Death Club is the only sensible response to our increasingly divided and fearful world.
Those who frequented the Ice Cream Factory this summer can now look forward to it as the home of Fringe World’s LA SOIRÉE 2019.
Feminah is a darkly funny exploration of womanhood today, and a must-see of this year’s Fringe season.
With a mastery of body and voice, highlighted by Biagioni's electric singing, Sudden Skies displays the power within a person to defy, and in turn to surrender. The innovative use of movement and intense vocal choices makes for a performance like no other this Fringe season.
As Perth’s Fringe season reaches its dusk, there have been some amazing pieces of theatre bursting its way onto the arts scene, and this totally improvised, Jane Austen inspired two-woman tour de force is no exception.
Through three short performances, the play looks at how the element has shaped regional Western Australia for Indigenous Australians and European migrants, performed by Kalgoorlians themselves.
An explorative work built on improvisation and audience interaction, CollageN is going where few have gone before.
This is the story of a girl... who loved stories but didn't like her own world! Written and directed by Scott McArdle and embodied by the magnificent team at Second Chance Theatre, with musical prodigy Georgina Cramond on keys, there is never a dull moment in Josephine!
It harnesses the honest power of poetry, although each show is tailored for an audience there is an authentic energy to every word uttered in this show. For anyone who has been in love, out of love or even speculated the concept, there is something here for you.
A visceral and rollercoaster-esque experience, this show will grab you by your memory and pull you down the rabbit-hole. It asks you to become all ears for just an hour; sit forward, and listen up.
Lucidity, and the phenomenon of lucid dreaming it explores, is such a fascinating concept. The human endeavour to control the conventionally uncontrollable is examined to a T through the topic, as well as grief, moving forward, responsibility and, ultimately, the essence of love.
Tarrant’s ability to impart pure childlike wonder — irrespective of the audience’s varying ages — is nothing short of miraculous. I wasn’t expecting outbursts of laughter throughout, but quickly found that such zealous magic teamed with a delectable sense of humour only made for a winning show. From unconventional card tricks and humble stunts, to logic-defying predictions, Matt Tarrant had read our minds and left us questioning one too many things.
Our red-jumpsuit-donned revelatory tutor, Peach, spun a warm and safe cocoon of joy through casual conversation, relatable anecdotes and gorgeous ukulele ballads. The heartfelt camaraderie of not just sisterhood but humanhood was tangible as the audience shared in one horizon-expanding A-Ha moment after another.
If you see anything at Fringe this year, 600 Seconds is probably your safest bet, simply because it exists as a distilled amalgamation of everything else on offer.
For age-old fans and Joni-virgins alike, book a ride in your closest 'Big Yellow Taxi' to go and see A Case of You: a poignant, imaginative and dynamic tribute to an artist who has touched so many.
A script full of blanks? One could say it is slightly better in theory than in reality but I can assure you there is much to be gained from this exploration of mortality and the human condition.
It's always a pleasure to have Neel return each year for the annual Fringe World Festival, but 2017's debut of his new stand up show #ObjectifyNeel deems Perth lucky indeed.
As its title suggests, the majority of the show is completely improvised, relying solely on punter interaction to drive the show forward. It’s this kind of acrobat-on-a-tightrope type comedy show that makes proceedings all the more thrilling to watch.