Catch everyone's favourite brother sister duo live this May!
Catch everyone's favourite brother sister duo live this May!
Red Hill Auditorium was the venue for alternative rock blasts from the pasts. Specifically 90s blasts.
Ball Park Music are veterans of the Australian tour circuit at this point in their career, and with sets like this, it’s no wonder why.
The Rosie has never seen a crowd to unified in their boppin' on a night no one will forget.
You Know We Belong Together is a wholesome, boundary-destroying show. It radiates with the pure pleasure of existing and performing to a real audience of real people.
For this culturally curious reviewer, watching White Spirit was like eating a bite-sized portion of the Middle East, as I was filled for ninety minutes with the exuberant flavour of this beautiful region so sadly overlooked in the present
In The Fade is an important and sorrowful film - for the most part.
Aussie duo Peking Duk have announced a nationwide tour for 2018, celebrating their latest single ‘Wasted’.
Foxtrot is a dark comedy that's too sad to laugh at.
Winchester has a solid base story, however, it is unable to build on this and provide something satisfying for the audience.
The intense intimacy of a one man show paired with the grandiosity of the Heath Ledger Theatre on a Saturday night is a wonder to behold at this year's Perth Festival.
With a mastery of body and voice, highlighted by Biagioni's electric singing, Sudden Skies displays the power within a person to defy, and in turn to surrender. The innovative use of movement and intense vocal choices makes for a performance like no other this Fringe season.
It's a sharp reflection of a 1920s French post-war society that rejects the macabre but celebrates its gains, while turning its men into corporate monsters.
The play doesn't take itself too seriously, which has its hits and its misses.
One of this generation’s most prolific rock acts, Car Seat Headrest treated Perth fans to an exhilarating set, fresh from his appearance at the inaugural Sydney City Limits festival.
With Lady Bird, Greta Gerwig takes us on a roller coaster ride of grimacing laughter, sexual discomfort, and the familiar sting of growing pains.
As Perth’s Fringe season reaches its dusk, there have been some amazing pieces of theatre bursting its way onto the arts scene, and this totally improvised, Jane Austen inspired two-woman tour de force is no exception.
Using the technique from White Rabbit, Red Rabbit to execute this, a new actor is brought in each night, unrehearsed and unprepared for what lies ahead.
Through three short performances, the play looks at how the element has shaped regional Western Australia for Indigenous Australians and European migrants, performed by Kalgoorlians themselves.
It the rollercoaster of friendship between youths, where every moment is momentous and should definitely have a song written about it, or many songs.