The band has evolved from 90s-Seattle-grunge worshipers to a more experimental project that uses guitar noise, dissonance and dynamics in a way that can only invoke the Steve Albini charged glory years of post-hardcore.
The band has evolved from 90s-Seattle-grunge worshipers to a more experimental project that uses guitar noise, dissonance and dynamics in a way that can only invoke the Steve Albini charged glory years of post-hardcore.
Every four years, voters are bombarded with a plethora of policies intended to turn heads and gain votes. We know how hard it is to take the time to actually claw through all of the policies and their details. The outcome of this election will have consequences that will last your lifetime, make sure you know what you're voting for.
It's bittersweet to say goodbye to Hugh Jackman and Patrick Stewart after 16 years of portraying these two iconic X-Men. The X-Men film series has been so inconsistent, it has been such a bumpy ride. But it lead to Logan. I'm thankful we never had it any other way
With awards season truly over, March makes way for the less-serious side of cinema.
James Vincent McMorrow is an artist that simply needs to be witnessed live to fully appreciate his art.
We caught Kurt Vile sans his Violators at Chevron Festival Gardens on Monday night. It was an interesting performance...
We caught up with Methyl Ethel frontman and band mastermind Jake Webb to discuss the exciting times ahead for the band and to investigate his pop culture tastes in the latest edition of our Pop Vulture series.
Shot in Australia's south west, the film's striking cinematography features a breathtaking Australian landscape that will you swallow you up whole.
The crowd welcomed the delay and reverb-soaked vocals of Nick Allbrook with sweaty enthusiasm. POND used the full extent of their broad catalogue, cheerily bouncing between old songs and new.
For a band with only three instruments, Gold Class sounded absolutely immense. In the moments of silence between songs, Jambinai were incredibly humbled to be able to play to a receptive Perth audience.
Hidden figures is a film for anyone who wants to feel inspired, whilst also having a good cry.
Inua Ellams' natural abilities as a storyteller and poet turns a one-man autobiographical show into an intimate, striking conversation. Plays like this are vital, as they put a face and story to the oft-dehumanising facts and figures spouted by the media and politicians.
Warpaint showcased the full power of their moody & groovy sound at Chevron Festival Gardens.
Despite being part of what has been come to be known as the anti-folk movement, Kline really doesn’t put much currency in genre. “I think that defining anything through a genre is kind of useless. I mean, I don’t really even know what anti-folk means really. I can tell you that it was this music movement in New York, but it doesn’t make much sense to me.”
Things To Come is bolstered by the terrific Isabelle Huppert, who is apparently chronically incapable of giving a boring performance.
If The Wolf of Wall Street was the popular captain of the footy team, Gold would be his younger, lamer cousin who is still weirdly into Yu-Gi-Oh at 17.
I have seen more artists live than I can count... And of the lot, I think it’s safe to say that Explosions in the Sky just became the best to date.
PIAF brought the goods this year with OMAR SOSA & his QUARTETO AFROCUBANO. Read our review here.
The Year I Was Born attempts everything, and gets everything right. It's a striking piece of theatre that opens your eyes to the injustices and struggles faced by people across the globe.
Lucidity, and the phenomenon of lucid dreaming it explores, is such a fascinating concept. The human endeavour to control the conventionally uncontrollable is examined to a T through the topic, as well as grief, moving forward, responsibility and, ultimately, the essence of love.