We chatted to Backyard Theatre Collective to get all the details about their show, dance tastes, creative process and of course, snack choices.
All in Theatre & Arts
We chatted to Backyard Theatre Collective to get all the details about their show, dance tastes, creative process and of course, snack choices.
Shortlisted for the 2017 Griffin Award, Ang Collins’ Blueberry Play presents a storyline that includes themes of family life, adolescence, and mental and physical illness. We were lucky enough to chat to the emerging playwright and discover what inspired her to create this intimate story, as well as what’s in store for the future.
‘As you arrive, you are offered a cup of herbal tea and invited to remove your shoes….’ An excellent start to an excellent show that’s definitely worth getting out of bed for.
The jokes carried punchlines which were reminiscent of the nativity and varied widely between bittersweet and gross-out homour in style.
Stay With Us is the latest offering from Perth theatre company Last Great Hunt. It’s a space responsive work, set in the rooms and foyer of Riverview Hotel.
Despite its crude humour, Bare: A Pop Opera perfectly encapsulates the struggles of adolescence and the difficulties of coming out.
Frankie’s is a sitcom set in a bar, where the regulars become part of each other’s lives and we become part of theirs. Except it’s not television, its theatre, and it’s not heavily scripted with a laugh track added after - it’s all improvised, and the laughs are real.
The high brow literature and classical music concept fooled me into thinking there was some social or political statement they were trying to make. But in the end, this show is about friendship and stories — just like Bill himself.
Cultural commentary and Allen’s lolly snakes combine for a wonderful piece of theatre at The Blue Room.
Xenides is a heartfelt commentary on the struggles faced by women all around the world
I’ve been lucky enough to be raised in a society which has spread so much awareness of the plight of females and our right to pleasure as equals to men during sex, so why did I feel so uncomfortable seeing something so natural occurring in a fictional capacity? The writing of In the Next Room is extraordinary for this very reason: It continually challenges you as a viewer to question not only the ways in which you consciously think but the hidden reactions and accompanying internalised attitudes you did not realise you harboured.
Never have I witnessed an entire audience laugh and cry at the same time, but this feat is accomplished by the astonishing cast of Let Me Finish.
While families are going to find the magic they are looking for, hardcore Potterheads may need to temper their expectations to enjoy the ride.
By using stereotypes featured in the sporting world, Court My Crotch gives us a glimpse into the atmosphere of toxic masculinity that sometimes clouds both the sporting and the LGBTQ community.
Buoyed by two confronting and commanding performances, Little Fish is a perfect example of socially woke theatre that forces us to confront our complicity.
Like any good play, what anchors this production is a set of wonderful, dynamic characters and experienced actors to bring them to life. Skylab is in all honesty one of the plays of the year.
Unveiling is a fast pace demolition of all the western world holds dear, paired with bright lights, poetry in motion and as many glasses of house wine as you need.
Threshold is here to slap us about a bit and confirm that no, we're not mad for thinking it's crazy to lock innocent everyday people up in offshore prisons.
It's a simply remarkable production in every way, shape and form.
In the coming weeks The Blue Room Theatre will showcase a fantastical second season of Unveiling: Gay Sex for Endtimes. We interviewed all-around theatre extraordinaire Joe Lui to find out the latest prophetic wisdom.