No Time to Die marks Daniel Craig’s final go at James Bond, the debonair British MI6 agent with a licence to kill.
All in Screen Nation
No Time to Die marks Daniel Craig’s final go at James Bond, the debonair British MI6 agent with a licence to kill.
David Chase returns to the world of the Sopranos with his prequel period piece The Many Saints of Newark after slamming the door in the audience’s face 14 years ago with a cut-to-black ending that either signalled an assassination or a trollish middle finger.
Despite its admirable efforts, Candyman feels like a heap of wasted potential.
Gunn goes all-out in this movie, filling the screen with eye-popping colour and magical realism, along with some ridiculous visual gags and cheesy one-liners.
The Sparks Brothers is an ode to creativity in it’s finest form, a never-ending saga of trial and tribulations at the behest of the ever-changing musical landscape.
The Killing of Two Lovers is a tense, icy marriage drama with a dark side.
The Devil Made Me Do It is perhaps the weakest link in The Conjuring franchise (not taking into account it’s horrible spinoffs), trading the haunted house formula for a murder mystery, to diminishing returns.
John Krasinski, AKA Jim from The Office, has obviously been taking notes since the previous film, and eagerly returns to write, direct and star in the second iteration of the little monster movie that could.
The Audition is a visceral experience, wrapping it's strings around viewers and twisting tight.
I'm not too sure what Chris Rock saw in Saw, but I saw Chris Rock's Saw and it see-saws the line of being the worst Saw I ever saw.
Nomadland is not driven by plot. It is a film about rhythms, about the society we have crafted, about modern American life.
This episode on the Spoiler Nation podcast, Howie and special guest Fynn dissect the showdown on the century that is Godzilla Vs Kong.
Odenkirk is as charismatic as they come, and after nearly 11 years of watching him play the smooth talking sleazebag lawyer, Saul Goodman, it's fantastic to see him throw a punch.
ZSJL, while retaining the basic plot of its theatrically released sister movie, is the violent opposite in its feeling; it’s decadent, consciously mythic and bursting with gorgeous tableaus and a sense of grandiosity.
[The Festival] pays so much recognition to up and coming filmmakers in Perth while the documentary topics touch on interesting, personal and educational subjects for the audience’s enlightenment.
Black Messiah will break your heart and offer no condolences.
WA Made Film Festival commences it’s second year in promoting short films, documentaries and feature films made in WA in the breathtaking Palace Cinemas Raine Square situated in the heart of Perth
The film managed to extend its roots deep into the cold, unfeeling wasteland that is my heart, and replenished my soul in the process.