As a film about that encapsulates the birth of the #metoo movement, The Assistant is essential viewing.
All in Screen Nation
As a film about that encapsulates the birth of the #metoo movement, The Assistant is essential viewing.
Colour Out Of Space remains an ever-evolving horror fueled by a classic tale, anchored by terrifying practical monsters and energized by addictive Nicolas Cage Rage.
I’m not much of a sports guy, but Netflix’s Michael Jordan docu-series is riveting.
Hearts and Bones, despite being a tumultuous, emotionally wrought drama, yields a certain sense of hope and clarity that seems particularly refreshing at this moment.
In maintaining our sense of calmness, we should remember that chasing a bit of escapism is completely okay.
Queen and Slim is a beautiful, important and incredibly stylish film.
In Edmond, the creation of ‘Cyrano de Bergerac’, is given a lively and hilarious fantasy retelling.
The Invisible Man is an excellent reimagining of the classic horror tale with a new and unique spin for the modern age.
A Hidden Life sees Malick in sublime form, capturing a time of the second world war rarely seen, and portraying a desperate and achingly beautiful love story that transcends any political or social bounds. If not for the length, this film would be perfect, but alas.
Once this film is over, people will see the plight of Indigenous Australians in a different light.
Bombshell is an important and powerful film, which will resonate with audiences and undoubtedly resonate with those who helped create it.
A pummeling of waves and a ramshackle wrath drowns any dastardly hope that screenwriter and director brothers, Max and Robert Eggers (The Witch), have acquired mercy in Robert’s second outing.
Cats will definitely split audiences into camps of “I loved it”, “I hated it”, and “I don’t know how to feel about it”.
It’s heartbreaking to admit it, but…The Rise of Skywalker is insincere.
Underneath the brilliant stylistic choices and captivating melodrama, 1917 is a touching film about the truly destructive repercussions of war and the trauma that is chaotically and senselessly inflicted.
From an eccentric and obsessive sound designer to a search for authentic love in an ableist society, and Curtis Taylors’ own 2019 work Yulubidyi – Until The End, these short films are touching explorations of the expression of all kinds of love.
What a warm hug of a movie this is. What it lacks in box-office potential it more than makes up for in heart and soul, and thanks to the two compelling performances by Zack Gottsagen and Shia LeBeouf.
The twist with The Dead Won’t Die, is how it subverts the expectations of the audience, both Jarmusch and zombie film fans, and how it flaunts this to an extremely frustrating degree.
Dosed should be commended for its compelling realness, and careful communication of this delicate conversation.
In her first feature-length film as writer/director, Mirrah Foulkes has crafted a genuinely oddball journey, one that seems to hint towards the backwoods, makeshift worlds of Terry Gilliam with the medieval silliness of Monty Python’s Holy Grail.