Outrageous, silly fun that probably should have just left it at that
All in Screen Nation
Outrageous, silly fun that probably should have just left it at that
Byrdon and Coogan return with their delightful blend of the comedic and the culinary. In this case, The Trip to Spain delivers precisely what we’ve come to expect from the series. Beautiful scenery, amazing food and a couple of weather beaten male comedians who flit between self-deprecation and vanity.
American Made subsists on the fumes of jaunty cynicism and glibness despite its potential as something greater: a searing, dark comedy. Its title is perhaps the cleverest and most honest thing about it, implying a kind of sleek superficiality which permeates this film.
Judgement Day is a historic accomplishment, one that merits a proper re-watch, not a mere piecemeal revisit through scenes on YoTube or TV
The Defenders will see three widely beloved street-level heroes - Daredevil, Luke Cage, Jessica Jones - and Iron Fist teaming up to, presumably, defend. This is as good a time as any to rank each and every one of the Marvel Netflix shows.
Stakes. Character. Exciting action. Boom. For a few minutes, one of the guys who directed John Wick, David Leitch, took full command of his movie. It was beautiful if brief, and the only thing about Atomic Blonde worth remembering.
Valerian: City of a Thousand Planets (hereafter Valerian) is a technically proficient movie with a plot you can't care much about.
Hot damn. The shortest episode in GoT history is also easily one of the most epic, rivalling Hardhome and the Battle of the Bastards in terms of pure fantasy spectacle. Howie and Rhys break down the latest Game of Thrones episode, “The Spoils of War”.
On the latest Spoiler Nation podcast, we had a lot of fun sinking our teeth into the subtle and big moments of this week's Game of Thrones episode, The Queen's Justice: Ice and Fire are brought together for the first time, revenge is a dish most poetically served with drops of poison, and Bran acts like a damn creepy weirdo.
With Dunkirk, Nolan is able to make the audience feel the anxiety and desperation of the soldiers, rather than rely on graphic imagery to remind us how depraved war is.
A Monster Calls feels like a good concept that was never massaged into a narrative that makes use of the full weight of its elements.
A Ghost Story takes a cosmic scope, but I can’t help feeling that it could have been so much pure and meant so much more if the lens was microcosmic. A study of grief and loss of love with grounding by Rooney Mara’s solar-plexus thumping performance would have been a brilliant thesis statement in its honest simplicity
Winter is well and truly upon us and we have previewed a number of films as part of the 2017 VOLVO Scandinavian Film Fest. Get down to Luna Palace to see some incredible pieces of Nordic cinema.
Here are the most interesting bits of film and tv news/footage/tidbits from this year's Comic-Con.
A unique combination of archival footage and rotoscope animation, Tower recreates the 1966 mass shooting that took place at the University of Texas.
In Part 2 of our Revelation Film Festival roundup, we review documentaries "Working In Protest" and "You've Never Had It: An Evening with Charles Buckowski"
Cult director Sofia Coppola makes her return after the mediocre Bling Ring with a re-imagining of the 1971 classic, The Beguiled.
But is it any good? (Spoiler: it's pretty damn good)
Snap reviews from the Revelation Film Festival
Our Spidey senses are tingling: Our definitive ranking of all six Spider-Man films, from worst to best.
Sequels. Cinematic universes. Movie franchises. Call it what you want, but for avid cinephiles or casual moviegoers, this is the reality we have to live with now. What makes some movie franchises successful, and what makes others flaming bags of garbage?