In addition to being an engrossing character study, Human Capital is also a searing indictment of capitalist greed - from the perspectives of its wealthy perpetrators, as well as the people who idealize it.
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In addition to being an engrossing character study, Human Capital is also a searing indictment of capitalist greed - from the perspectives of its wealthy perpetrators, as well as the people who idealize it.
When American Beauty was first released it was met with pretty much universal acclaim; and the Oscars, with their love of all things in love with Americana, melodrama and mature seriousness, found American Beauty to be the best film of the year. The film also took numerous other Academy Awards, including best screenplay for Ball, best director for Sam Mendes and best actor for Kevin Spacey. It also won several Golden Globes but like, is that even a real thing anyways.
This whole film pieced together is bursting with stories and lines of narration that at first seem to be cluttered en masse, soon prove to be beautifully crafted together in a familiar and deliberate manner.
Back in the old days, television was regarded as the “inferior cousin” to cinema, but that is not the case anymore. This year’s Emmys is a good example to illustrate how much that tide has turned, and television’s ascension to being the home for quality visual storytelling and characterisation.
But as we know by this time it was already the school of thought that if you were to remake a film, you must add something new, do something different; but Van Sant opted against this and demanded that if he were to do it, he must do a true remake. The film must be a shot-for-shot, score-for-score, moment by moment redoing of what Hitchcock did. His thinking was pretty much; who was he to change what was already perfect.
You know you’ve got one.
Look, I get it: Guardians of the Galaxy was space-tacular, Dawn of the Planet of the Apes was ape-tastic, and Transformers 4: Age of Extinction was more like Age of Ex-stinking-garbage. But now that you’ve satiated your blockbuster appetite, I know that you’re craving for that sweet, sweet high you get from smaller, wackier, and more brain-churning indie flicks.
Sometimes you’ve got to leave serious movies to the cinephiles and see a movie featuring a talking raccoon and a tree fighting evil aliens.
So the story goes that in the year 2014 humanity, after finally accepting global warming as a thing, attempted to fight against it and thus, set of chain of events that ushered in a new ice age. Our present day is now the not too distant future of 2031 and those who are survived managed to do so by purchasing a ticket on a train that travels around the entire planet each year.
So it is a hot summer day in Perth and you just found out that in a matter of hours, the whole world is going to go up in smoke and everyone is going to die a horrible fiery death, what do you do?
The Revelation Perth International Film Festival is back, and with it comes the thought-provoking documentaries, the quirky indie flicks, and the mind-bending art-house films from all over the world. You know, those obscure films you heard about, the ones with trailers you happen to stumble upon but thought would never reach our shores? Well, from the 3rd to 13th of July, you can actually see it them in an actual theatre near you!
Nymphomaniac is the latest film by independent film legend Lars Von Trier. The film follows on from the critical success of both Melancholia and Antichrist, and is the concluding installment in his Depression trilogy.
Lars Von Trier is one of the most important film makers of his time. Many critics, academics and film goers a like may argue this point with me but in the spirit of Von Trier I say Fuck you to them.
As the end credits for this film started to scroll up the screen, nobody moved. Everyone was glued to their seats in stunned silence. Short Term 12 is an emotional roller-coaster that strikes the perfect balance between its affecting screenplay, assured direction, and unflinchingly honest performances from its talented cast.
Armed with a clever script, a talented ensemble cast, and a subtle dose of feminist critique, "In a World…" is a charmingly whimsical satire that cements writer-director Lake Bell as a capable filmmaker with a distinctive voice that needs to be heard.
The film stars Emmanuelle Devos, whose portrayal of Leduc is simply astonishing. The life of Violette Leduc was a tumultuous one, and every moment of pain is felt through the brilliant and emotionally bare portrayal by Devos.
Australian horror films fan rejoiced at the return of their own home grown boogeyman Mick Taylor. With his Aussie slang drenched dialog and sadistic near Freddy Krueger style nature, I was so excited for this outback horror flick. However, Wolf Creek 2 is a vastly different film to its predecessor and where the original had patience and torment, Wolf Creek 2 has excess as it flaunts its near six million dollar budget upgrade.
A triumphant follow-up to his 2011 Oscar-winning film – A Separation – , director Asghar Farhadi’s The Past is a masterfully-performed and emotionally gripping exploration into the intricate nature of our past, along with its inevitable hold on our present.
As the final credits rolled, I felt completely satisfied. The film concludes without falling into any clichés and the ending itself is equal parts dramatic and graceful. All Is Lost is a fantastic look into the despair of a hopeless situation and one mans journey through it.
While I can imagine that it would make the perfect audio-visual companion to its best-selling source material, Night Train to Lisbon struggles to stand on its own.