LIVE REVIEW: Ariel Pink & Co at the Rosemount

After eleven full lengths, Ariel Pink has established himself as a polarising weirdo. Pink's latest effort is dedicated to a 'Searching for Sugarman' type LA musician who was long presumed dead. In a recent interview, whilst reflecting on Jameson, who passed away in 2015, Pink said, “His book and life resonated with me to such a degree that I felt a need to dedicate my latest record to him.” Pink characterised this sentiment, along with many others in his 90 minute set at the Rosemount on Saturday night. 

Ariel was relaxed in his musical performance, but was guarded in his manner. This was noticeable in his almost passive-aggressive and impulsive comments in between songs. I suspect this may relate to some of his recent controversies in the media. In any event, it was all about the music and Ariel and band delivered in that regard. Given the diversity of his music over the years, it was impressive to see quasi-screamo to 80s dream pop à la Just Like Heaven linked together so seamlessly. Tempo changes are certainly his trademark. Ex-Germs band member Don Bolles added a wall of cooing and whistles to the majority of Pink's back catalogue. DJ Don also took to the decks following the set. 

The weirdness was prevalent in Pink's vocal range, going from crooner to cartoon characters such as Daffy Duck (or at least I think). The crowd appeared to prefer the songwriter's low-fi/analog tracks, such as 'Round and Round'. It was the dreamy sounds of 'Another Weekend' and an infamous cover of Donnie & Joe Emerson's 'Baby' that remained standouts.

Ariel Pink may be as crazy and unpredictable as ever, but his (and his band's) technical ability is constantly improving. I can't wait to see what he comes up with next. RIP Bobby Jameson!