Keanu Reeves is back as John Wick, and bringing the best stunts in the biz with him.
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Keanu Reeves is back as John Wick, and bringing the best stunts in the biz with him.
Welcome to Ronan’s Watch It or Don’t, two film reviews for the price of one. In this instalment, the tale of two green revolutions.
Even when the story is treading well-worn territory, Rogen and Theron are so authentic and lively together that you don’t care you know exactly where it’s going, you’re just happy to be along for the ride.
Howie and Rhys break down Episode 1 of the final season of HBO's Game of Thrones, "Winterfell".
Jonah Hill sticks the landing with his directorial debut about the 90s skate scene…
Regarding Cap, the coolest Avenger.
In the Perth suburb Morley, the second to last Blockbuster store in the world has just closed its doors. Now, there is just one Blockbuster standing in Bend, Oregon in the United States.
There are images from Jordan Peele’s latest horror thriller Us that are strikingly composed. Yet, the film is ultimately a vexing experience.
Inventing Tomorrow is a humanising look into the mindset of teenagers who have grown up in the knowledge of human-caused climate change.
A good thriller arrests its audience in their seats, raising their heartbeat and the hairs on their neck. The Guilty’s truly remarkable feat is that it does precisely this, to both its audience and its protagonist.
It’s a perfectly fun middle-tier Marvel movie.
In true WWE style, Fighting with My Family is a successful amalgamation of different genres and affections.
Why Green Book’s win rankles so.
Bigger means hollower in this inessential sequel, yet it’s still entirely watchable at the worst of times due to Jessica Rothe’s effervescent presence. She’s that good.
With one foot in the real and the other in the ethereal, Barry Jenkins has crafted another masterpiece.
Like forgetting a jacket on a winters day; ‘Cold Pursuit’ feels incomplete, painful and makes you wish you stayed home.
This episode on the Spoiler Nation Podcast, we’re off the deep end, as we dive into the Bradley Cooper-Lady Gaga powerhouse that is A Star Is Born (2018).
Is there a word exact enough to describe a movie that is so blandly competent and flavourless that to recall it would be as difficult as recalling last Tuesday’s lunch?
This thriller starts strong, but the biggest twist is that it turns out not to be a thriller at all.
‘The tragic romance of Cold War is subtle and flavourful. This is not tragedy on the grand scale of Romeo and Juliet, more an unfortunate fall from grace for two cliff-edged lovers who catapult each other into misery.’