This thriller starts strong, but the biggest twist is that it turns out not to be a thriller at all.
All in Screen Nation
This thriller starts strong, but the biggest twist is that it turns out not to be a thriller at all.
‘The tragic romance of Cold War is subtle and flavourful. This is not tragedy on the grand scale of Romeo and Juliet, more an unfortunate fall from grace for two cliff-edged lovers who catapult each other into misery.’
At first glance, this is a stunning film. But beneath the surface it’s a plodding and gloomy quagmire that would embarrass even the truest Scotsman.
A step above the usual slew of tepid family comedies
We all have to grow up eventually…
I wasn’t sure about this potentially cringey meme-fest going in, but it really brought me around. Literally.
“This is what struck me most about Shoplifters: how consistently intimate it feels…”
What we talk about when we talk about the Jedi.
‘Race relations; unions; individual success in a world of inequality; the role of radical art in promoting social change; the blurred line between compelled labour and indentured servitude – this is a highly abridged list of topics the film touches on. I could go on.‘
The film is painterly in other ways than its aesthetic.
Certain elements of “Mortal Engines” were lacking
Enthralling and gross
Needless to say, this is a movie you should see ASAP. Really, it’s a superhero movie for anyone who’s sick of superhero movies; and it’s somehow also a treat for fans of the genre.
In Part 2 of our 2018 retrospective, Howie and Rhys (and special guest Chris) descend into utter chaos as they dive deep into their least favourite films of the year so far.
Less of a straightforward narrative and more of a mosaic.
Robin Hood is a disaster - we’re ripping that bandaid straight off.
Some quick thoughts on Damien Chazelle’s “First Man” and Luca Guadagnino’s “Suspiria”
Whether we like it or not, it’s happening