Star Wars: The Last Jedi picks up immediately from where its predecessor The Force Awakens left off, but its attitude and intent could hardly be more different.
All in Screen Nation
Star Wars: The Last Jedi picks up immediately from where its predecessor The Force Awakens left off, but its attitude and intent could hardly be more different.
The earnestness of Paddington 2 matches its inventiveness too: there's never, ever the cynical, lazy vibe of “Whatever, this is good enough for kids”. If you picture a Wes Anderson film with the deliberate, hilarious cruelty scrubbed away until it's a wholesome sheen, you're nearly there.
The Disaster Artist, based off the book of the same name, actually succeeds as a straightforward tribute to the imperfect, messy process of creativity and the imperfect, messy process of fraternal love.
Film lovers rejoice! Perth Festival’s season of international movies under the stars gets is now underway at UWA Somerville. This weekend French doco Faces Places will please crowds, followed by a plethora of indie, international and feel-good films. Tickets are on the door nightly.
Good Time, written and directed by multi-talented indie dynamic duo Benny and Josh Safdie, ensnares you in a funhouse of bad decisions that coalesce into worse decisions.
With "Only The Brave", director Joseph Kosinski shows an ability to transition from a hyper-masculine environment to the gentler one of family and brotherhood.
Justice League is more exciting for its potential than for what actually plays out in it.
Amongst the Cunard British Film Festival 2017 programme comes an age-old tale of childhood vigour.
Described as Single White Female for the Instagram generation, Ingrid Goes West is a solid attempt at social media commentary.
Put simply, this Jigsaw can't be put back together.
Thor: Ragnarok and Happy Death Day are larks that are unafraid to celebrate the more absurd aspects of their genres.
With Detroit, Kathryn Bigelow and writer Mark Boal have crafted a film that assaults and enrages.
It's all so pleasant and affirming and, well, plain.
This is very much a sequel. This is no reboot.
If I had to summarise Final Portrait in a word, it would be tedious. In many ways, this is fitting for a film about an artist creating an art. That very process is cyclic, never-ending and filled with self-deprecation and doubt. But Final Portrait goes beyond being a comment on the tedium of creation and just becomes painful to watch.
Mesmerising duo Angus and Julia Stone return for a night at the Perth Concert Hall to debut their new album "Snow". Read on to find out what we thought!
Like most drama-mystery books you'll find at the airport, Big Little Lies begins with a murder
Mother!, with its meandering pace married with pulse-pounding white-knuckled radioactive fear and fury, is unlike any film I've ever seen in the last few years.
James Francos, the 70s, the porno industry. The new bingo for Peak TV.
With no more new seasons of Game of Thrones to look forward to until 2019 (!), let's consider the trajectory of all seven seasons in a way befitting a show that's often as harsh and bleak as the bitterest winter winds.