We caught Kurt Vile sans his Violators at Chevron Festival Gardens on Monday night. It was an interesting performance...
All in PIAF
We caught Kurt Vile sans his Violators at Chevron Festival Gardens on Monday night. It was an interesting performance...
For a band with only three instruments, Gold Class sounded absolutely immense. In the moments of silence between songs, Jambinai were incredibly humbled to be able to play to a receptive Perth audience.
Inua Ellams' natural abilities as a storyteller and poet turns a one-man autobiographical show into an intimate, striking conversation. Plays like this are vital, as they put a face and story to the oft-dehumanising facts and figures spouted by the media and politicians.
Warpaint showcased the full power of their moody & groovy sound at Chevron Festival Gardens.
Despite being part of what has been come to be known as the anti-folk movement, Kline really doesn’t put much currency in genre. “I think that defining anything through a genre is kind of useless. I mean, I don’t really even know what anti-folk means really. I can tell you that it was this music movement in New York, but it doesn’t make much sense to me.”
I have seen more artists live than I can count... And of the lot, I think it’s safe to say that Explosions in the Sky just became the best to date.
PIAF brought the goods this year with OMAR SOSA & his QUARTETO AFROCUBANO. Read our review here.
The Year I Was Born attempts everything, and gets everything right. It's a striking piece of theatre that opens your eyes to the injustices and struggles faced by people across the globe.