The band has evolved from 90s-Seattle-grunge worshipers to a more experimental project that uses guitar noise, dissonance and dynamics in a way that can only invoke the Steve Albini charged glory years of post-hardcore.
All in Live Nation
The band has evolved from 90s-Seattle-grunge worshipers to a more experimental project that uses guitar noise, dissonance and dynamics in a way that can only invoke the Steve Albini charged glory years of post-hardcore.
James Vincent McMorrow is an artist that simply needs to be witnessed live to fully appreciate his art.
We caught Kurt Vile sans his Violators at Chevron Festival Gardens on Monday night. It was an interesting performance...
The crowd welcomed the delay and reverb-soaked vocals of Nick Allbrook with sweaty enthusiasm. POND used the full extent of their broad catalogue, cheerily bouncing between old songs and new.
For a band with only three instruments, Gold Class sounded absolutely immense. In the moments of silence between songs, Jambinai were incredibly humbled to be able to play to a receptive Perth audience.
Warpaint showcased the full power of their moody & groovy sound at Chevron Festival Gardens.
I have seen more artists live than I can count... And of the lot, I think it’s safe to say that Explosions in the Sky just became the best to date.
PIAF brought the goods this year with OMAR SOSA & his QUARTETO AFROCUBANO. Read our review here.
Tarrant’s ability to impart pure childlike wonder — irrespective of the audience’s varying ages — is nothing short of miraculous. I wasn’t expecting outbursts of laughter throughout, but quickly found that such zealous magic teamed with a delectable sense of humour only made for a winning show. From unconventional card tricks and humble stunts, to logic-defying predictions, Matt Tarrant had read our minds and left us questioning one too many things.
Dirty People exemplifies all that is grassroots Australian theatre in its hard-hitting 70-minute runtime. The characters in Dirty People are about as slick as an oil spill on an iceberg; and just as deadly.
Alone Outside is a one woman show; the role of Daphne is brilliantly depicted by Jo Morris. You often find yourself forgetting that there are no other actors on the stage, as the way Morris relays and reacts to the other characters is so genuinely visceral.
Our red-jumpsuit-donned revelatory tutor, Peach, spun a warm and safe cocoon of joy through casual conversation, relatable anecdotes and gorgeous ukulele ballads. The heartfelt camaraderie of not just sisterhood but humanhood was tangible as the audience shared in one horizon-expanding A-Ha moment after another.
The line-up has been released for the 2017 edition of everyone's favourite one-day rural festival. Take a look at the bands we're most hyped to see!
Residing from the Gold Coast, the deluded duo embody nothing but pure chaos. It was an uproarious night; cue sequins, high-energy dancing, comical exchanges and plentiful shenanigans. If anything, it was a Greek tragedy of epic proportions.
For age-old fans and Joni-virgins alike, book a ride in your closest 'Big Yellow Taxi' to go and see A Case of You: a poignant, imaginative and dynamic tribute to an artist who has touched so many.
Velvet, the all singing all-dancing circus act dazzles at Fringe, with the right amount of sass and glamour.
Don’t bring your mum, or your grandma. Have a drink, buy a raffle ticket and leave your manners at the door.
A script full of blanks? One could say it is slightly better in theory than in reality but I can assure you there is much to be gained from this exploration of mortality and the human condition.
It's always a pleasure to have Neel return each year for the annual Fringe World Festival, but 2017's debut of his new stand up show #ObjectifyNeel deems Perth lucky indeed.
As its title suggests, the majority of the show is completely improvised, relying solely on punter interaction to drive the show forward. It’s this kind of acrobat-on-a-tightrope type comedy show that makes proceedings all the more thrilling to watch.