In sync with the music and one another, each dancer brought to the table their own inspiring interpretation of sound and voice.
All in Fringe
Fringe Review: Miss Westralia triumphs
Hidden away in a jam-packed guide, Miss Westralia was an original musical comedy showcasing the talent and history of our state.
Fringe Review: 30 Minute Macbeth is brimming with energy
If you like Shakespeare but have a short attention span, you’ll probably find something to enjoy here.
Fringe Review: "The Three Deaths of Ebony Black" is enjoyable for the whole family
The Three Deaths of Ebony Black is a farcical romp reminiscent of Death at a Funeral - without the drugs, nudity and secret lovers. Which was a relief, because my date for the evening was my ten year old nephew.
Fringe Review: collageN is all up to you
An explorative work built on improvisation and audience interaction, CollageN is going where few have gone before.
Fringe Review: MOLT is a playful exploration of the things we lose
A Fringe Festival newbie embarks on his first Fringe adventure with Rian Howlett’s journey into the Museum of Lost Things, an interdimensional black hole where all things lost go to live out their days.
Fringe Review: Briefs: Close Encounters is a guaranteed good time
Briefs: Close Encounters is a marriage of theatre, dance, guylesque, and circus performance, leaving the audience stunned and amazed.
Fringe Review: Elixir is sexy, sassy and showstopping
If Elixir’s opening night is anything to go by, then Perth is in for a treat. You'll be dripping with sweat and crying with laughter, and absolutely begging for more.
Fringe Review: Hot Brown Honey will leave you thrilled and inspired
Hot Brown Honey is a melange of comedy, hip hop beats, contemporary dance, circus and cabaret conspiring to change the way its audience sees the world.
Fringe Review: "The Beast and the Bride" is Not Your Average Bedtime Story
Testoni knows stories are anything but silly. She gives a voice and a face to a Victorian-era girl who is graceful and fierce, young in her curiosity, but wise in her insight.
Scitech's Dome Date Night — Your Valentine's Day sorted
The 50-minute show was an immersive experience of cosmic proportions, with stardust-filled stories floating around farther than the eye could see.
Fringe Review: "Night Sweats" Lets all the freakishness hang out
I'm always impressed when small theatre shows transcend their limitations through an artful use of performance, light and sound. Timothy Green's Night Sweats is such a show.
Fringe Review: "Cardboard Kingdom" is Playful and Spirited
Cardboard Kingdom is the most heartfelt wakeup call imaginable. The passion on display in all facets of the play is the kind that made me fall in love with theatre in the first place.
Fringe Review: "Less Light" Illuminates the life of Aussie millennials
Less Light is a deeply unique theater experience.
Fringe Review: Josephine! is Perfect for a Wholesome Theatre Experience
This is the story of a girl... who loved stories but didn't like her own world! Written and directed by Scott McArdle and embodied by the magnificent team at Second Chance Theatre, with musical prodigy Georgina Cramond on keys, there is never a dull moment in Josephine!
Fringe Review: "Banned" is an Empathetic, Sincere Success
Banned is a thought provoking piece of work that deftly examines a myriad of social issues in a sensitive and nuanced yet entertaining manner.
Fringe Review: "Slap and Tickle" captivates with breathtaking performances and great music
Slap and Tickle is a comedy through and through, with absolutely breathtaking performances by iOTA (Slap) and Russell Leonard (Tickle).
Fringe Review: 'Wil Greenway: The City Ate the Stars' is Immaculate and Heartwarming
You'll leave laughing, weeping, with a memory to hold in the corner of your ribcage forever.
Fringe Review: Gerard McGowan "Only Getting Funnier"
McGowan rode the wave admirably.
FRINGE REVIEW: Josh Glanc’s 99 Schnitzels (Veal Ain’t One)
Being a winner of the 'Best Comedy Award' at Fringe World 2017 and selling out quite nearly everywhere he goes, Josh Glanc’s 99 Schnitzel (Veal Ain’t One) left the audience feeling a brilliant mixture of confusion and bewilderment, but also awe as the comedian in front of them swept them away in a flurry of audio and visual spectres