Top Gun: Maverick is every bit as good as you’ve heard – heck, it’s better.
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Top Gun: Maverick is every bit as good as you’ve heard – heck, it’s better.
While Chapter 1 was preoccupied with building its world by inundating us with specific rules that its characters have to abide by, "John Wick: Chapter 2" threatens to blow it all up by showing us what happens when those rules get broken.
When the pretentiousness and lowbrow gruesomeness intersect, Alien: Covenant proves to be a singularly haunting experience.
Gifting its audience with a nuanced portrayal of a hypothetical ‘first contact’, Denis Villeneuve’s Arrival breathes life into a seemingly familiar tale.
Hidden deep underneath the bravado and exaggeration of it all, Kill Bill is simply a heartbroken woman looking for both revenge and answers.
Ciro Guerra’s Embrace of the Serpent is a masterful and genuine ethnographic exploration of the cultural exchange between white scientists/colonialists and the Indigenous Amazonian peoples.
I went into the film expecting a stoic, Icelandic comedy thanks to the theatrical trailer, but Rams proved to be a dry, glacial slog filled with pockets of surprisingly heartfelt and human warmth.
As a biographical drama, the Miles Ahead does seem to have a rough basis in reality, following Miles Davis’ coke-fuelled hiatus from music throughout the mid to late-seventies.
The film is not biographical in the capacity of ‘the life and times of’ either Lipsky or Wallace, rather it is a biographical examination of two 30-something-year-old men, their unconventional relationship built over the 5 days, and their individual dealings with an existential crisis’.
A special one-time-only screening event will be held at the HOYTS Millenium (Fremantle), on Saturday 6 February, immediately followed by a live Q&A with not only the director, but the three musicians featured in the documentary as well.
Here is a list of our favourite movies that were released in on our shores this year (that is not Star Wars: The Force Awakens, because come on, that's basically a given at this point), in the form of a neat little supercut.
Over the course of the film, it becomes clear that A Perfect Day really, really wants to be both a comedy and a drama, but struggles to find the right balance between the two.
It’s clear that director Ramin Bahrani is not afraid of making us feel uncomfortable. In 99 Homes, we are affronted by the harsh reality of unaffordable housing as the film places the systematic disadvantage of our economic model under the microscope.
Jam-packed with rapid-fire zingers and cleverly constructed comedic situations, Mistress America is Noah Baumbach’s most deliberately funny screenplay to date, quite possibly due to the involvement of co-writer and star Greta Gerwig.
I generally balk at the love dichotomy so often presented in movies – I’m certainly not one to gasp “Oh my stars I wonder who the young lass will choose?! How absolutely DELIGHTFUL to be young!” – but I feel that Brooklyn hits a deeper note than the surface may initially suggest.
Movies these days try too hard to please all audiences. I say just pick an approach and stick with it, who cares about people on dates. As the great Ron Swanson once said, “Never half ass two things, whole ass one thing”.
Learning to Drive follows Wendy (Patricia Clarkson), a book-reviewer who has been recently dumped up with by her cheating husband of 21 years. And quite predictably, thanks to the on-the-nose title, she decides to learn how to drive (shock, horror, gasp!)
Being a fan of Flight of the Conchords, the prospect of seeing Jemaine Clement back in his natural habitat (New York, obviously) was an exciting one. I walked into the film feeling quite confident that I’d be getting a few laughs in, apparently so was the lady who sat next to me. Her cackle was often so loud and piercing, I’d miss the punchline completely.
We've combed through the remaining films of this season's Rev Film Fest program (curated by program director Jack Sargeant), and picked out the films that piqued our interests the most to help you with your movie marathon.
Based on a true story, X + Y is a touching, beautiful and absolutely endearing experience. The acting is impeccable, bringing the character’s to life and allowing the audience to really relate to their hardships.