Once this film is over, people will see the plight of Indigenous Australians in a different light.
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Once this film is over, people will see the plight of Indigenous Australians in a different light.
What a warm hug of a movie this is. What it lacks in box-office potential it more than makes up for in heart and soul, and thanks to the two compelling performances by Zack Gottsagen and Shia LeBeouf.
The twist with The Dead Won’t Die, is how it subverts the expectations of the audience, both Jarmusch and zombie film fans, and how it flaunts this to an extremely frustrating degree.
As a biographical drama, the Miles Ahead does seem to have a rough basis in reality, following Miles Davis’ coke-fuelled hiatus from music throughout the mid to late-seventies.
Based on a true story, X + Y is a touching, beautiful and absolutely endearing experience. The acting is impeccable, bringing the character’s to life and allowing the audience to really relate to their hardships.
While Kumiko, The Treasure Hunter is commendable in its ambition; the film's execution of its central character's sombre tale is ultimately frustrating and alienating to its audience.
In a way, it can be argued that Girlhood is the spiritual successor to recent Oscar Best Picture loser Boyhood (come to think of it, both films would make the perfect double-feature for a movie night).
In addition to being an engrossing character study, Human Capital is also a searing indictment of capitalist greed - from the perspectives of its wealthy perpetrators, as well as the people who idealize it.