THEATRE REVIEW: Fully Sikh is a portrait of multicultural millennial Australia

What does it mean to be ‘Australian’? Furthermore, does the presence of such a supposed singular culture provide legitimate grounding to distinguish the ‘other’ from those deemed ‘Australians’? History lays down something of a jigsaw puzzle in reflection of this; a piece of which is provided by Sukhjit Kaur Khalsa in Fully Sikh, a Barking Gecko Theatre and Black Swan State Theatre Company co-production.